Mapping the Humanities with Digital Humanities

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When I first moved to DC at the beginning of 2012 to begin graduate school, I was very excited to learn almost all the museums are free.  This was a huge change from New York City–where I moved from–where entry to museums could be upwards of the “suggested” amount of $20.  Even better, the closest one to me is actually two-in-one and is only a quick 7 block walk from my apartment. The National Portrait Gallery and The American Art Museum are housed in the same building, which is easily accessible from the red, yellow, and green lines at Gallery Place.

Portrait Gallery 1

So, on a cold winter’s day, I took my first trip to the galleries.  I was only able to spend about an hour there the first time I went, but it was ok because it hadn’t cost me a thing!  The next time I returned, my parents were visiting during the July heatwave.  This time, it was a welcome reprieve from the sweltering sun.  In September, friends and I dipped in to kill time before a movie at Gallery Place on a rainy day.  On each occasion, there was something new to see and I didn’t feel pressured to see everything in one go knowing I could make a quick walk down there at any time.

Preamble to the Constitution written on license plates from all 50 states.

Preamble to the Constitution written on license plates from all 50 states.

When I started work at the new J. Crew around the corner from the Portrait and American Art Galleries in July, it became the ideal place to do lunch.  My coworkers and I would grab sandwiches and rest our weary feet and thaw out from the AC constantly blasting in the store on the gallery’s steep stairs.  This proved to be a popular spot for those on lunch around Gallery Place.  It is also a popular bathroom for the local pigeons, so you have to be careful where you sit.  When the weather got cold, the gallery’s gorgeous atrium became the place to lunch.  With its ornate lattice ceiling, indoor fountains, and fauna, it made for a tropical getaway from the winter.

Indoor atrium connecting the two museums.

Indoor atrium connecting the two museums.

"Mind if I use the bathroom & try to steal your food?"  A ubiquitous gallery pigeon.

“Mind if I use the bathroom & try to steal your food?” A ubiquitous gallery pigeon.


But perhaps the reason the Portrait Gallery is most significant to me is it was where my boyfriend and I sat talking on the steps for an hour after our first date.  We had had dinner and drinks and were at a loss for what to do next, but it was a beautiful September evening, so we decided to take a seat and get to know each other more.  At the end, he asked me for a second date.

Great place for lunch and dates!

Great place for lunch and dates!

 

Needless to say, there are many reasons the Portrait Gallery has become one of my favorite places in DC.  There are also many places to put a QR code.  I felt a little strange posting my rather large QR code onto the galleries’ outdoor signage by the steps.  Part of me felt like I was defiling the poster, but I only used tape, so it is easy to remove if any curator or custodian feels the need.  I’m sure one of the capital’s many spring break tourists (they’re everywhere!) will be at least a little curious to find out more.

QR: Come check me out!

QR: Come check me out!

Interestingly, I came across this article while working on this week’s exercise.  Granted, I had to download a free QR reader for this exercise, as I had never bothered with one before, however, these new technologies still seem to have the same download-and-scan properties as the QR code.  So is the QR code really dead or is it just being modified?  Since technology is always changing, either option is certainly possible.

 

 

 

 

Office Space (And What Fills It)

My spring break was uneventful, as I ended up spending most of my time in a place where I spend the majority of my time when school is in session: the English Undergraduate  Office.

I’ve worked as an undergraduate advisor for English majors since the beginning of my first year at UMD, so the space is familiar to me, and the many other advisors whose offices are housed there. These offices are bit nicer than your typical graduate student offices; they come complete with windows, bookshelves, a desktop like any good office should, but most importantly, they are personal, not shared. This allows for every advisor the chance to characterize their space in a way TAs can only dream of.

For example:

Chateau de Nigel

Or for a different perspective, my colleague Michelle’s (English PhD candidate) office is decidedly better lit and more colorful:

However, as GAs in an office, we are prohibited from doing too much personalizing, especially if that involves paint, glue, hammers, and furniture. The only representation of much physical change that has occurred to this office is a lone hook for hanging pictures. Oh, and Charity’s owl streamer. Thus, much of the way that the spaces change are impermanent. Posters, marker boards, tchotchkes, and books. Lots of books:

Michelle’s bookcase

It is of course natural that books would be plentiful in the offices of English graduate students, but some of the books I have amassed have a sort of lineage to them. When one of my former coworkers decided to leave the advising office and leave graduate school, the books she had stored in her office were moved to mine, bequeathed to me since she figured I could use a set of Henry James novels and early American texts (she was an Americanist).

The strange thing about these books is that I have never actually used them. They have never left the office, and while I suppose I am happy to have them, they have a fine layer dust from never being touched. They are more remnants than books at this point. More of a remnant however, is a copy of Coetzee’s Diary of a Bad Year that was in the office when I moved in. This book belonged to another coworker who graduated from the MFA program last year, and who inhabited the office before I did in July. Apparently, this particularly book was either forgotten or left for me, but rested on the bookshelf of my office for a year before it was mine, and so it remains there.

As objects, these books represent something about who placed them there. For the set I inherited, they were books important at one time for a dissertation project or for teaching, and for the Coetzee, it might have been assigned for a class, or inspiration for the thesis. I primarily have inferences based on the person who owned them and why I got them, but at least for this period in their existence, the books have been relegated to their lot on the shelf of an office as immovable fixtures as desk it sometimes seems (yes, I suppose I could read them for once).

This place is interesting to me not just because it is my office, but because it is heavily trafficked. During registration time, every English major is required to pass through this office and speak with an advisor. Thus, the way our offices are organized and arranged is affected by this. For example, my tradition for undergraduates is filling in a marker board comic every semester with a little English major humor. The kids love it, I assure you. The expected traffic, however, means that these offices occupy what seems to be a liminal space between a private place and a public one. It should be inviting, but also is locked when I’m away, only accessible via appointment, and a quiet space on weekends for serious academic work. But the anticipation of what undergraduates will think certainly plays a role in setting the mood for the space (and validates the importance of well-stocked, if not ignored bookshelf).

For my QR code, finding a place to put it was easy, but to make it a bit more public than the one sitting above my desk I decided to place it conspicuously on my door: If it should be seen and provoke curiosity, then the door of my office is a perfect place. That is after all the reason everyone tapes posters to their doors, is it not? And with a portion of approximately 700 undergraduates coming through this door, I can ensure its visibility.

Installing Omeka in a Local Sandbox on a Mac (OS 10.8)

In case anyone should want to try installing Omeka on their local machine before tomorrow’s class, I put together these instructions for doing so on a Mac (to my knowledge it is possible to run a local Omeka installation on Linux and Mac systems, but not Windows).  These instructions were culled in part from the following page: http://omeka.org/forums/topic/installation-on-mac-osx-lion

  1. Normally Omeka runs on a web server, but for testing it is possible to set up a local sandbox installation.  In order to do so, you first need to have working web server software and an SQL database on your computer.  These can be obtained by installing an *AMP (Apache/mysql/php) stack, such as LAMP, MAMP, or XAMPP. For running Omeka on the Mac, XAMPP is recommended and can be downloaded from here: http://www.apachefriends.org/en/xampp.html
  2. Once you have XAMPP installed, download Omeka (the latest version is 2, but use 1.5 if you want to also test the Neatline plugin): http://omeka.org/codex/Version_History
  3. Extract the downloaded Omeka folder and move it to /Applications/XAMPP/htdocs/ (this is the root folder of your local web server).
    [N.B. You will probably be prompted to authenticate as an admin user in order to move these files into the Applications folder.]
  4. Install ImageMagick by downloading the installer from http://cactuslab.com/imagemagick/. ImageMagick is used by Omeka for processing images and creating thumbnails.
  5. Launch XAMPP, and using the “controls” window that will open, start the web server and mySQL.
  6. Open a web browser and go to the location ‘localhost’, where you’ll see the contents of your htdocs folder, which should be the XAMPP splash page.  Choose “english” and you’ll be taken to the main XAMPP control page.
  7. On the left, choose phpMyadmin. phpMyAdmin is software for managing mySQL databases on a web server (or in this case, on server software running locally).
  8. Within phpMyAdmin, click on the privileges tab –> Add new user with the following settings:
    • user name: omeka
    • host: Local
    • password: [choose a password]
  9. Under “Database for User,” make sure to check “create database with same name and grant all privileges.”
  10. Now, you will need to edit the following file: /Applications/XAMPP/htdocs/omeka-1.5.3/db.ini. This can be most easily accomplished through the command line (for example using an editor like vi), but it can also be done with a regular GUI text editor.  Change it so the file has the following settings:
    • host = “localhost”
    • username = “omeka”
    • password = [password you chose above]
    • dbname = “omeka”
    • prefix = “omeka_”
    • charset = “utf8″
    • ;port = “”
  11. In the browser, go to localhost/omeka-1.5.3/ and follow the prompts to configure and begin using your local Omeka site.

My (books for) America

This is Books for America.

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Did you know this bookstore? Do you live in Washington, DC or in the “area” and do you love books? Come in. You should know this place.

I spent hours and hours here at this little used books store, any day of the week, any season (I came here even during snowstorms). I always think that I will find that book that was waiting for me… and I leave the store with three, four or seven books each time.

To me, this is one of the most interesting spots I know in DC. It is where I feel really happy in this foreign city. I arrived in town around four years ago. Now, I’m leaving. Coming back to SouthAmerica. I am one more of the visitors in this city of people in transit, students, politicians, diplomats. People I have never met but that I constantly see in the street –I always wonder who are the Washingtonians, what they do, how they live.

For many people, Washington is a dull city, a town with gigantic monuments, public buildings, embassies. But despite the monumentality of its buildings and its symbolic weight for Americans, its true attractions are small: Washington is a city of details (for who is interested in a city rather than a mall).

When I arrived I found a very short city and sky everywhere. I felt that Washington was not a welcoming city, with its avenues like horizons. I felt that it was a city still to be constructed, with its sad frontiers melting with the suburbs and the country. What I realized time after that it was that Washington is not a city to be constructed, but a city to be unfolded. You get to know it little by little. One friend of mine that had lived here told my husband and me when we arrived: “What I miss the most from Washington is ‘Books for America’”. So there we went to see. And it was a wonderful surprise to find an old books store with such a good energy, with a first classselection of books, and so cheap! It had so many titles, so interesting… As Borges said, “I have always imagined that Paradise will be a kind of library.” We felt impressed by this little bookstore.

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To tell you more about the place, Books for America is not just a used book store but a non profit organization that aims to improve libraries in schools, shelters and prisons, support reading and education programs and provide children with first take-home books. It was created in October 2005 to “have a positive effect on literacy and educational in the Washington area”, as they state in their webpage, where they also say: “Beyond literacy, we seek to place books in the hands of anyone who wants to read and learn.  Books can be tools that help individuals rise up out of unfortunate circumstances” and “since our entire mission is to get books into people’s hands, you get fantastic books at ridiculously low prices!”

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Josh is now a librarian at University of Maryland!

They ask for books, CDs, DVDs and other items, many of them they sell it at the bookstore and others they give them to needy institutions. They select the books people donate: all of the books on sale are books in very good/excellent conditions; most of them are almost new. The money they make with the sell of books they use it to expand their supportive educational programs. All the staff is volunteer. I am so happy to have met Josh and Kate, very interesting and always good-humored people. I learned about America through this non-profit organization: how a community can organize itself to help others.

I also created an American literature section in my bookcase, but also I bought books about design, architecture and new media. And also, I learned about Washingtonians themselves. Studying the bookstore catalogue is possible to read Washingtonians through what they read. I found a highly educated and diverse community, interested in art, philosophy, history, and politics, (of course!) but also, and especially, in literature. It is noticeable as well the fast this community changes, with people coming and going back home, packing and unpacking libraries, donating their books and buying others. (I myself donated many Portuguese and Spanish language books!)

Now I am leaving DC. I have already packed my library (once again) and my entire house is now in a container heading South America carrying boxes and boxes full of the books I bought here (In total we bought around 400 books) and I will read for the next years far away from this beautiful city.

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Washington has a lot of hidden places. You have to be especially alert in DC to really get to know this city. Walk all its streets; step in every restaurant, every café, every bookstore (it is not overwhelming… they are not a lot!) You have to walk the city, find an interesting book in Politics and Prose or come to Books for America when in Dupont Circle. But also go out in the hottest days in summer, go to Dolcezza for an ice cream (they are Argentinians!) walk on the fallen leaves during October in the narrow streets that lead you to the Philips Collection, see snowing through the window of a café in Upper Georgetown. They are not big places; none of them are monumental. They are just special. This week, go to the Tidal Basin to see the cherry blossom, but look for some small charm in DC, some small place for happiness, as this bookstore is for me.

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This is my QR Code.

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The Old Manse vs. The Chateau

Over spring break, I visited a friend in Boston and we spent a day in Concord, MA, visiting the homes of our favorite 19th century writers. Though apparently tourist season doesn’t begin until mid-April and none of the homes were open to visitors yet, it was still surreal to walk around Concord and imagine the lives that had been led there. I obviously considered sticking QR codes all over the place, but ultimately decided I didn’t feel right leaving my mark–maybe something about preserving my idyllic view of the past? Despite the fact that I traversed Walden Pond with iPhone in hand and Instagrammed up a storm (which is to say, I very much remained in the 21st century) it just seemed like these spots didn’t deserve the blemish of my sticker and accompanying blog post. But I digress, and will share my photos anyway:

Ralph Waldo Emerson's Concord home

At Ralph Waldo Emerson’s Concord home

The Old Manse

The Old Manse

Ralph Waldo Emerson's grave marker (accompanied by his wife and daughter)

Ralph Waldo Emerson’s grave marker (accompanied by his wife and daughter)

Stones marking the cite of Thoreau's cabin in the woods

Stones marking the site of Thoreau’s cabin in the woods

and a gratuitous scenery shot, since Walden Pond was pretty unbelievable–

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At any rate, it was a lovely trip back in time. I also came across this advertisement while walking around downtown Boston–

IMG_1466A perfect example of a QR code used in advertising! A new apartment complex was clearly being built and scanning the QR code takes you to the building’s site. The slogan there, slightly obscured by a pole (I haven’t quite mastered the surreptitious picture-taking-while-walking move yet) says, “If you scan it, it will build.” I can’t decide if it’s clever or not.

But on to the actual assignment!

I live in The Chateau Apartments at New Hampshire and the beltway, and the spot I chose to mark is the entryway sign, which welcomes me home every day. It is always a welcome sight, especially because the sign is usually adorned with colorful balloons (though not today when I took my picture, of course) and I weirdly think it’s super endearing.

Obviously moving out to Maryland from St. Louis for my first year of graduate school was a big transition, and I had to find a place to live in 36 hours. The concept of “home” means a lot to me, so I’m thankful to have found a place (with such a glamorous name!) to hang my hat. This picture I took coincidentally matches the “Street View” of The Chateau Google Maps provides (linked above) and clearly marks the apartment complex.

I took this picture while driving, hence the crookedness.

I took this picture while driving, hence the crookedness.

When I got home from spring break yesterday afternoon, I had major car debacles and delayed flights to deal with, so driving up the hill to The Chateau sign was particularly comforting. It’s no Old Manse, but it’s still all mine!

To again reference my extreme Instagram usage, I’ll also note that I almost always add my location to my photos and thus, “The Chateau Apartments” are clearly marked and represented in the digital archive of my life. Instagram recently came out with a “Photo Map” feature which visually shows you where you most often take photos. The further you zoom in, the more specific the locations get. So, for instance, I’ve taken 194 photos in Silver Spring, and 148 of those were at–you guessed it–The Chateau Apartments. It’s interesting to consider geographically (and quite quantitatively) where we spend our time, and which spaces in our lives we prioritize over others.

QRCode

I’ve made my QR code and allowing that I can find a functioning printer in Tawes, will adhere it to the sign tonight, pictures forthcoming. I wonder if anyone will actually walk close enough to the sign to ever notice it? (The sign is the in the middle of the traffic circle entryway).

Update: I’ve affixed my QR code with copious amounts of tape to the back of my Chateau sign (for the sake of subtlety). Here’s hoping someone notices!

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The Best Place no one Seems To Go

That, at least, was how I described the Walters Art Museum to my boyfriend as I introduced it to him for the first time; “It is the best place in the world that no one seems to know of or visit.”  With such a plethora of museums in DC that anyone living in Maryland or the surrounding areas has been dragged to on fifteen occasions–at least!–before the age of nine, the Walters in Baltimore is often overlooked.  It’s a very great pity for, if you haven’t been, you have missed out on one of the most enjoyable places to spend an afternoon.  Not only does it possess among the most stunning collections of art in the area–and among the most varied–but the Walters’ work with the preservation and study of manuscripts is astounding.  I apologize in advance for the lack of pictures; I wasn’t entirely convinced that pictures was permitted so, while I snuck in a few here and there with my phone (flash off, of course), I don’t have many to show for my Sunday afternoon.

Of particular interest to this class would, of course, be their manuscript room.  The room itself isn’t terribly impressive on first site.  So many of the books the Walters owns are displayed in the rooms with other artifacts of a similar period or theme and so the manuscript room is rather small.

Part of the history of the book on the wall of the manuscript room.

Part of the history of the book on the wall of the manuscript room.

(There is an interesting book in the corner which asks visitors to describe a treasured item and how its meaning, appearance, or function has changed for one over time.  The majority of people–standing in the prominently labeled “Manuscript Room” describe books and how they have received wear and tear over the years.  Interestingly, though, no one seems to approach the question of a change in function or even consider it in the context of books.  It’s meaning is the same as the day they first read it.  The only person who seemed to approach the idea of changing meaning or function was a gentleman who described his childhood purchase of a Green Lantern ring–something that represented power, responsibility, and adventure to him as a child when he wore it everywhere, but which now hangs on his keyring as a sort of totem (long ago becoming too small for his fingers) to remind him of youth and imagination.)

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However, the main attraction of the room is an area devoted to the crafting of manuscripts–the materials, tools, and labour–with a touch screen monitor in the center of it.  The monitor offers one several choices of which I found the curator and the “library” to be of the most interest.  I’m very envious of the curator of the Walters manuscript’s job.  He gets to examine the 1200 beautiful books of the collection by hand–including a first edition of Homer!  However, their digital library visitors can interact with somewhat soothes my jealousy.  The team at

Some of one's options for a bit of light reading at the Walters.

Some of one’s options for a bit of light reading at the Walters.

the Walters has painstakingly scanned many of the more beautiful texts into the computer to allow the casual visitor to take them “off the shelf” as it were and flip through the pages.  This isn’t simply some in house version of Google books, however, for each page offers one the ability to examine minute aspects of the decoration and calligraphy, in addition to providing a detailed account of what is on the page, the meanings guests might otherwise be unaware of, and some historical context for understanding the text.  I think what makes their own DH project, as it were, so valuable is that these manuscripts–one of a kind, decorated in fine gold, handcrafted and hand-painted–are works of art that one would not normally get to flip through so casually as one does on the computer system.  Even digitized, these tomes take one’s breath away and the level of detail the system provide makes them that much more valuable.  It is clear from the curator’s remarks that this is, for him, a labour of love and I can see why; I were so lucky to be able to see these every day, I’d want to share them too.

While that particular gallery was the primary reason which brought me the museum, it was hardly the only reason for going.  The Walters has a great deal more to offer–in fact, the room devoted to their manuscript collection is quite small.  However, the Walters does not fail to delight the bibliophile; around each corner one can usually count on discovering an illuminated manuscript or beautifully bejeweled tome hiding among the other priceless artifacts of the era.  My favorite is a small book of hours in the Romanticism gallery on the top floor, the cover of which is ornately carved with plants and animals which apear very much alive.

The placement of the artwork in the Walters is as much an artform as the art itself.  Each room frames the pieces inside it.

The placement of the artwork in the Walters is as much an artform as the art itself. Each room frames the pieces inside it.

Also not to miss is the Hackerman House (connected by bridge to the Walters) that houses the Asian art exhibits.  There are a few pieces there, such as a huge basion with a magnificent dragon towering over it, which never fail to take my breath away.  Not only due to the setting–at the base of a spiral staircase which serves as almost an answer to the curls of the dragon’s tail–but the power of the piece.  Similarly there are som rather delightful works by Barye sprinkled about the many galleries–Mr. Walters must have been as great a fan of his works as I myself am.IMG_0438

 

Max and I are long-time friends.

Max and I are long-time friends.  He’s kept an eye on my things while I’ve been lost in a book or a sketch I’m working on, on numerous occasions.  He’s always of great assistance.

 

 

 

 

 

 

And while you are there, please say hullo to my friend, Max (named for the Maximillion style of armor).  He guards a little mediaeval feast hall with inviting chess and checkers sets to pass a few minutes or hours.  My boyfriend and I always ended up in a rather heated chess battle–one which he usually wins with a mere pawn and queen remaining to defend his lonely king–to the amusement of the docents.

Suffice it to say, as ways to spend an afternoon go, I highly recommend the Walters as one of the most enjoyable.

Writing on the Wall

During my time at UMD, I have been engaged in a constant battle to find a quiet place to study during those periods of time between work and class. I started out in the graduate study room in McKeldin Library, but it was not long before hoards of students began choosing that place to study as well. Now, I’m relatively good at tuning out certain noises. However, when people are talking to one another, I find it incredibly difficult not to eavesdrop. I get drawn in, more intent on listening to what is being said than on reading an article for class. In any case, it was not long before I had to move. Occasionally I could find a quiet spot elsewhere in the library, but more often than not, the constant traffic and conversations of passerby broke my concentration. So, I started studying in the English Graduate Lounge in Tawes. Similar problems occurred, though there was a fair share of quiet times, and I still go there on occasion. But right down the hall, I found a relatively quiet corner (unless TA’s were having conferences). I began going there on occasion in order to get both quiet (for the most part) and privacy (you can hide quite well behind the one wall, leaving only your feet and legs visible to people in the hallway). In any case, I was content.

Corner of Tawes

Eventually, I started to notice writing on the wall.

Writing on the Wall

First, this appeared:

Last Lost

After a quick Google search, I found out that these two lines are lyrics from a song entitled “The Last Lost Continent” by La Dispute. The song can be found here.

Another day, I found this:

Tilde

These lines are lyrics from a song entitled “Tilde” by the band Touché Amore.

And later, I discovered these:

Nine

These lines are also from a La Dispute song entitled “Nine.”

Summer Love

These words, though communicating a familiar sentiment—summer love, did not bring up any definitive results on Google. Perhaps the inscriber decided to try his or her hand at composing lines.

Some of the handwriting looks similar and the fact that two of the lines come from La Dispute and three of the four are song lyrics seems to indicate that it may be the work of the same person, though I never discovered who the other person or persons were who also found that spot a good place to study or take a break. Perhaps it was just a student who would often meet with one of the TA’s in a nearby office, or maybe it was a TA seeking a bit of distance from his/her other office mates. In any case, it was interesting for me to read these little lines inscribed on the wall by a stranger who had perhaps found the same semi-quiet privacy that made the corner such a good place for me to go and study between work and class. By leaving my own kind of writing on the wall through my QR code that links to this blog post, I will make my own mark, continuing the story of that corner of Tawes.

QR Code

QR Writing on the Wall

 

When I Heard the Learn’d Digital Humanist

I decided to visit Walt Whitman’s birthplace, located in Huntington Station, NY, for several reasons. I’ve been meaning to visit the house for a long time, even though it lies only 10 or so miles from my parents’ house. I also attempted to teach a few Whitman poems earlier this semester. In the past I would drive by the site all the time, frequent the nearby Walt Whitman Mall, and was aware of Long Islanders’ pride in their favorite poet’s origins. I suppose next I’m supposed to visit the home of Billy Joel, from a town known as Oyster Bay, Long Island.

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I took a tour of the grounds and the house itself, where Walt Whitman Sr. practiced carpentry. I walked through the parlor, kitchen, master bedroom, spare bedroom, and servant’s quarters. As you can imagine, everything looks very old, and it would have been quite easy to hit my head on the low ceiling going up the steps. The Whitmans owned a host of useful tools that are no longer necessary anymore, such as a giant loom, bed rope stretcher stick (can’t remember what it is actually called, but apparently this is where the saying “sleep tight” comes from), and even a hoop and stick.

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My visit to Walt Whitman’s birthplace was quite enjoyable. Many thanks to my father for joining me on his busy Sunday afternoon.

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Note: I could not secure a more significant spot to place the QR Code, such as the statue, the house, ect., as I was being watched by the tour guide and did not want to get kicked out for vandalism. So the grass would have to do. For some reason the picture does not work when I try to scan it with my phone (bad resolution?), so I also included the original code file.

Adventures in respectful vandalism

I had a bit of trouble at first in selecting a place to vandalize with which to interact.  The locations to which I have strong connections are for the most part 1) In a different state, 2) On campus, or 3) My apartment.  A lengthy road trip was out of the question, the Tawes building (for all its charms) lacks a certain something, and the only evidence for other people interacting with my apartment was the vehicle registration card that was left here by a previous tenant and which I, sadly, threw away when I found it on the top shelf in the kitchen.  As I contemplated these considerations, I determined that it would be quite absurd if — here of all places — I couldn’t think of a sufficiently memorialized spot.  However, I also did not want to get arrested.  Thus I settled on a location of moderate fame:  the George Mason Memorial.  I discovered it by walking into it during a ramble around the tidal basin last year; I feel rather fondly toward it, mostly because it seems so easy to neglect or to pass by.

George Mason Memorial name George Mason Memorial from a distance

 

This is supposed to be a fountain in front of the memorial, but it has no water.  I think it looks like a great spot for some theatre-in-the-round.

Instead of a traditional blog post, I put a monologue in my QR code.  I wanted to do something respectful (since this is, after all, very public property with which to attempt interaction), brief, and that didn’t immediately indicate my real name.  I made a minute-long movie using xtranormal, for which I selected an animated character who could (with some generosity of the imagination) represent me.  The link to which I attached my QR code sends the viewer to my video as published on YouTube, here:  http://youtu.be/ARsatTfZEvY.  The video can also be played on xtranormal.com here:  http://www.xtranormal.com/watch/14303672/why-i-love-the-george-mason-memorial , but I thought it best to use the YouTube link since more people are likely to be familiar with it and to have phone apps for it.  The movie itself is a little excessively cheerful, but I hoped that this might serve as a defense against the potential annoyance of serious-minded visitors to the memorial!

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(I took some pictures and tried to look like an innocent tourist while I was waiting for my opportunity to pounce with tape.)

The statue of Mr. Mason was created by sculptor Wendy Ross.  More info about her work (including the memorial) can be found at her website, here:  http://www.rosssculpturestudio.com/.  I taped my code to the back of one of the pillars.  The way you see it is by sitting on the bench with George and sidling all the way back so that you are leaning on the back of the bench and (unless you are, like him, nine feet tall) your feet are dangling merrily straight out in front of you in the posture of a five-year-old on any adult’s furniture.  Judging by the number of people I saw climb up there while I was waiting for a witness-free moment to do the deed, I’m not the only one to feel that this is a desirable spot in which to sit (though few may scoot far enough back to spot my code).

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These two photos were taken from the same spot; looking to the right, one sees my code on a pillar; turning to the left, one sees George.

After I finished (and ascertained that I had avoided arrest), I paid a visit to my other favorite statue in D.C. and bought a Rosie the Riveter lunchbox.  All in all, not a bad day!

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QR-oss Mansion

After my first idea for this exercise went bust, I began ruminating on alternative sites in my Delaware hometown to photograph. I trolled around the town’s website to see if anything popped up (these sorts of things recede into the background of everyday existence, don’t they?), and lo and behold, I had passed the perfect place on my way to photograph my failed first attempt! Presenting… The Historic Ross Mansion!

IMG_3938I passed by this property every day my senior year of high school – it lies on a back way into town, right across from a set of railroad tracks that are still used daily by trains bearing coal and grain to power plants and mills throughout Sussex County. On clear nights at my parents’ house I can hear the eerie sound of a midnight train whistle across the mile or so expanse – my high school best friend lives right next to the tracks, and I’ve always wondered how she sleeps through it each night.

IMG_3925As you can read on the historic marker above, the Ross Mansion (nobody includes “Governor”) dates back to the mid-nineteenth century, its architecture clearly revealing its Victorian origins. The sign, a historic artifact in itself, fails to include reference to the two newest additions to the property – a slave quarters discovered in the early nineties and a honeymoon cottage/gatehouse.

IMG_3944I dug around a little and found this University of Delaware article from 1992 about the discovery of the Ross Mansion slave quarters. I remember hearing the story from my parents (though I must have been only 5 or so), about how they found this building in the backwoods of the Ross Mansion property and discovered what it truly was. At the time it was the only known slave quarters in the entire state. Now it has been restored and relocated to a new location right behind the mansion.

IMG_3927A little while after the addition of the slave quarters to the grounds, this little structure appeared at the entrance of the property. My parents both told me that this was another woods find, a honeymoon cottage discovered in the foresty depths of the land; however, when I sought to verify their story, I uncovered two others! Multiple sites refer to the structure as a “gatehouse” – possibly referring to its current function (?), while others corroborate the honeymoon cottage designation, although origination stories differ here: some sources (like the county realtor’s association) say that the cottage was built for the Governor’s son, whereas the historical society, which manages the property, says on their site: “Explore a ‘Honeymoon Cottage’ bought from a catalog and located on the property.” Now, I have no idea what that even means, and it just sounds ridiculous, so despite their prestigious title, I’m choosing to ignore such claims. You can decide for yourselves – mail-order or vintage handmade?

Many non-historic buildings have begun to surround the Ross Mansion property in recent years – most prominently the newly relocated local library and a sports complex. What’s interesting, though, is the fact that the city council mandated that the architecture of both sites must reflect the grand old mistress of the adjoining property (i.e. the Mansion). See for yourself:

Southwest face of the mansion

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Above center is the southwest side of the mansion, above left shows the arched windows of the library, while above right is a pressbox with exposed support beams. My dad pointed all of this out to me – I was totally unaware of how the “story” of the architecture of the Ross Mansion had spread to other surrounding facades. And still, the story of the Ross Mansion property is not limited to local lore (where did that cottage come from??) or architectural style – it’s still being unfolded, actually. In the annual Easter egg hunt, the Town and Country Fairs (complete with fireworks, craft stalls, and a full-blown reenactment with cannons – pardon the pun), and the occasional professional engagement photo shoot performed by a boy-now-man that I used to HATE sitting next to in fifth grade, the story of Ross Mansion is one that’s still being told in many voices.

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Special thanks to my dad for driving & sharing his own stories. And Sadie, for moral support.

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