“We were interested in the collection as a research test bed and so we wanted a set of born-digital materials we could actually work with, that a student could work with…” MITH Associate Director Matt Kirschenbaum
When you come to visit The Deena Larsen Collection (DLC), you will be shown five well organized glass cases, containing vintage Macintosh computers, archival storage boxes, books on hypertext and new media, and a smattering of old computer peripherals.
Your guide will likely also point out the famous “Marble Springs Shower Curtain.” The shower curtain attempts to graphically illustrate, with printed screen shots and colored thread, the linked associations enlivened by authoring a hypertextual work to an audience in the pre-Web browsers days of the early 1990s.
As Maryland Institute for Technology in the Humanities (MITH) Associate Director Matthew Kirschenbaum notes, The Deena Larsen Collection is “a true hybrid collection,” containing both analog and digital materials. Besides the specimens mentioned above, there are e-literature works from numerous authors, sometimes in draft and finished form, as Deena is a keen collaborator, always happy to “read” rough drafts. Larsen, Kirschenbaum remarks, is “also somebody who is broadly interested in computer culture.” The DLC contains many newspaper and magazine articles and clipped comics on issues such as Internet privacy, the growth of email, law and the Internet, and the frustrations computing tools can bring to the average user, among others. “I think,” Kirschenbaum adds, “the collection has some value as a cross section of a certain moment in popular computer history as well from roughly 1985 to 2000.”
One great aspect of the DLC, is researchers are encouraged to dig into the collection’s many artifacts. “We offered to take
With those things in mind I was encouraged to explore the collection.
I used the Finding Aid binder (more on the Finding Aid next post) to see which Mac Classic or Mac SE was still running. Sadly, my first choice, a Mac Classic II identified as M1, had stopped working since it’s last check-up in May 2009, and the screen never resolved:
(In case you are wondering about the markings on the side, yes, Deena did buy a pallet of surplussed computers from the Denver Public School, which she stores in her temperature controlled crawl space (I have crawled in it)…but that is a story for another time.)
Fortunately, the Macintosh SE, labeled M2, booted right up. I was able to use the SE and the Finding Aid devoted to the 800+ 3.5 inch floppy disks (more on these next post) that are in the collection to locate disks devoted to Marble Springs, Second Edition, and look through various drafts.
(A brief aside: As I was working, I became aware of a creeping nostalgia. At first I could not figure out the cause. Then I realized it was the sound of the Mac SE working, with its characteristic grunts, and clunks, and whirs. If you would like a listen, play the attached sound file: MS_MAC_SE.mp3 or MS_MAC_SE.m4v, depending on your software. It lasts about 2 minutes.)
Some of the archivists out there might be cringing at this point: “They let him turn on a 20-year-old Macintosh and pop in disks? Are they crazy?!?” This concern was certainly at the center of planning for the DLC.
“We have been entrusted with the material, and we take that seriously, and it is part of our mission to do right by it,” Kirschenbaum says. Of the Mac Classics he poses “one could ask are these artifacts first and foremost to be preserved? Are they tools? Are they instruments of access?”
For the DLC, the answer is a bit of all three. On a practical level, the DLC does not have the resources to leave usable tools on the shelf. On the other hand MITH is seeking ways to work with University of Maryland iSchool faculty to utilize the DLC materials in archiving or preservation classes. Students, under the supervision of MITH staff, have been able to practice imaging disks using the DLC disk collection.
“We have a lot of respect for the collection, we have a lot of affection for it, we do everything we can for it,” Kirschenbaum said warmly, “but we also see it as something to be used.”
Further, Kirschenbaum feels the MITH approach to The Deena Larsen Collection is in keeping with Larsen’s own collaborative and supportive approach to the creation of e-literature.
“Our hope is there will be a modest number of researchers who will find their way here…every year,” he added.
So in the collaborative spirit, my next post will describe my adventures researching in The Deena Larsen Collection, in hopes of making your visit more productive.
Up next: Hands on the DLC: Finding and Finding Aids
____________________________________________________________________________
Want to schedule a visit to the DLC? Use the form at http://mith.umd.edu/larsen/contact
Citations:
Quotations from MITH Associate Director Matthew Kirschenbaum are from an interview with the author conducted April 15, 2011, at MITH, unless otherwise noted.
Image credits:
The_Deena_Larsen_Collection.png, Leighton Christiansen, April 14, 2011
MS1_shower_DocNancy.png, Leighton Christiansen, April 14, 2011
DLC_mac_classic_II_fail.png, Leighton Christiansen, April 14, 2011
DLC_Mac_SE.png, Leighton Christiansen, April 14, 2011
Audio:
MS_MAC_SE.mp3 and MS_MAC_SE.m4v, recorded at MITH, Leighton Christiansen, April 14, 2011
Leighton Christiansen is pursing his Master’s of Library and Information Science Degree at the Graduate School of Library and Information Science (GSLIS), at the University of Illinois at Urbana-Champaign, and threatens to catch that degree any time now.
You can reach him at leightonlc@gmail.com, or @purpleleighton on Twitter