- Series
- The wandering ballad singer
- Air Date
- 1960-07-25
- Duration
- 00:14:30
- Episode Description
- This program explores early American folk songs.
- Series Description
- Folk music series hosted by musician Barre Toelken, who collects folk songs and has worked as a dance band musician, a Forest Service employee, and prospector.
- Subject(s)
- Creator(s)
- Washington State University (Producer)Toelken, Barre, 1935- (Host)
- Contributors
- Genre(s)
- Geographic Region(s)
- regions
- Time Period
- 1951-1960
[00:06 - 00:11]
Not a walk the road again my boy who rode again.
[00:11 - 00:17]
If the weather be fair I'll call my hair and I'll walk the road again.
[00:17 - 00:21]
Washington State University presents a wandering ballad singer Barry Tobin
[00:21 - 00:27]
with songs that vividly describe the history and folklore of a pioneering country.
[00:27 - 00:32]
And.
[00:32 - 00:39]
Again.
[00:39 - 00:44]
The first real American folk songs and ballads were made up during the Revolutionary days in the settlement periods just
[00:44 - 00:49]
before the war and just after people flooded into America from all parts of Britain as well as from other
[00:49 - 00:50]
places in Europe.
[00:50 - 00:55]
And although they sang the songs they brought with them from their native lands and that we transplanted Englishmen
[00:55 - 01:00]
sang the songs of his county as if they were the only versions. An intelligent man could saying the
[01:00 - 01:04]
early colonists soon realized that experience in America was quite often different adventures were more
[01:04 - 01:09]
varied and the problems arose which had never existed in Mary Sussex. So they began making up
[01:09 - 01:14]
new songs haphazard at first they sometimes said the new words to some old folk song doing they
[01:14 - 01:19]
already know and often they made up the whole thing. Words and music just to have some uncle
[01:19 - 01:24]
come along and dream up a better tune. Well this is what's happened in folk songs since the beginning.
[01:24 - 01:29]
Just that in this case were closer to it and we can see the mistakes as well as the results. The
[01:29 - 01:34]
ballad it's quite often recognized as the first American product in this field is this one which tells the story
[01:34 - 01:39]
of a young man who was mowing hay on the slopes of Springfield mountain now called Wilbraham mountain near the
[01:39 - 01:44]
present city of Springfield Massachusetts. Story takes place just prior to the revolution and it
[01:44 - 01:50]
borrows for its tune an old familiar church hymn.
[01:50 - 01:55]
Springfield Ohio and some
[01:55 - 01:59]
new tenant
[01:59 - 02:05]
alike.
[02:05 - 02:09]
When he.
[02:09 - 02:14]
Won and go to
[02:14 - 02:18]
the mat he had not mowed
[02:18 - 02:22]
went up higher.
[02:22 - 02:32]
He took that with which he mowed and laid that pesky
[02:32 - 02:41]
shouted loud more off here to
[02:41 - 02:53]
take him home.
[02:53 - 03:02]
With which the pies.
[03:02 - 03:12]
So the pies.
[03:12 - 03:17]
During the revolution many songs were made up by soldiers on both sides an occurrence that's not rare in
[03:17 - 03:22]
wartime. Except that these were quite often songs that could later be sung in public. Many of them appear to be
[03:22 - 03:27]
songs that were so in the dark songs in which the embattled farmers told the British regulars what to
[03:27 - 03:31]
expect from the new world such a one as this one from Vermont called the Bennington rifles
[03:31 - 03:36]
or their red coats.
[03:36 - 03:39]
In your mind what madness. There's danger
[03:39 - 03:45]
there's danger on our hills and you hear the singing of the
[03:45 - 03:50]
Bugle Wilden and soon you'll hear the ringing of the
[03:50 - 03:52]
right move from the tree.
[03:52 - 04:01]
Will prove nor drive. Oh
[04:01 - 04:05]
oh the road
[04:05 - 04:12]
not drive him.
[04:12 - 04:16]
Who is there that home Mar across the salt water
[04:16 - 04:20]
like bulldogs to those water.
[04:20 - 04:24]
Well if the work must be
[04:24 - 04:29]
lent and trigger whole but the sooner it will be done.
[04:29 - 04:34]
Oh you know I
[04:34 - 04:40]
will not drive 0 0
[04:40 - 04:46]
0 0 0.
[04:46 - 04:51]
0.
[04:51 - 04:56]
As the soldiers marched off to the war leaving sweet hearts wives and friends behind they made up songs
[04:56 - 05:01]
simple songs most of them told of their reluctance to leave in their determination to return.
[05:01 - 05:06]
These weren't professional poets and their concern was simply with the welfare of their loved ones who would have to fend
[05:06 - 05:08]
for themselves during a long hard war.
[05:08 - 05:14]
I'm a go and I'm going to
[05:14 - 05:20]
forward a little
[05:20 - 05:26]
back.
[05:26 - 05:26]
If I go
[05:26 - 05:38]
through and who will go
[05:38 - 05:51]
and who will.
[05:51 - 05:55]
Look look.
[05:55 - 06:06]
Go and.
[06:06 - 06:12]
Go In A.
[06:12 - 06:16]
Little while but I'm back. If I
[06:16 - 06:25]
was in.
[06:25 - 06:30]
This concern about shoes gloves and kisses is not as superficial as it might appear. This is the
[06:30 - 06:35]
worry that burdened a man's mind when he knew that his army pay could never support his family at home.
[06:35 - 06:39]
These were the down to earth hard cold facts of war for the common man of the revolution.
[06:39 - 06:44]
And they're also pretty close to the common man today because when he sings a farewell song in 1968
[06:44 - 06:49]
it's very apt to have the same elements in it. This is one I learn from wander a cliff Bushnell of withdrawal
[06:49 - 06:53]
high on.
[06:53 - 06:57]
The gun issue or pretty little foot
[06:57 - 07:01]
has gone to the door.
[07:01 - 07:09]
And who was going to your.
[07:09 - 07:12]
Who your
[07:12 - 07:16]
going to
[07:16 - 07:22]
who is going to be
[07:22 - 07:28]
who is going to kid you were
[07:28 - 07:38]
who.
[07:38 - 07:43]
The girl answers I'm gonna show you
[07:43 - 07:47]
my little foot mama is going to
[07:47 - 07:52]
love ma and sister
[07:52 - 07:57]
is gonna kill you.
[07:57 - 08:05]
I.
[08:05 - 08:05]
Know I
[08:05 - 08:13]
Know My.
[08:13 - 08:16]
Sister is going to get my room
[08:16 - 08:21]
and I know.
[08:21 - 08:33]
Here's a song from the Revolutionary War the talk still further of the same things but this time from a
[08:33 - 08:36]
different slant.
[08:36 - 08:41]
O Soul 0 soul. Marry me now to the beat up by a bend
[08:41 - 08:45]
round a how can I marry such a pretty little mess when I've got a nose
[08:45 - 08:50]
to put on. Rose you ran and you ran to the clothing store.
[08:50 - 08:55]
Past that good Ron he brought back the very very best
[08:55 - 09:00]
in the sows are. Now sold your
[09:00 - 09:05]
soul to the be the buyer but how
[09:05 - 09:09]
can I merit such a pretty little mess when I've got a nose to put on.
[09:09 - 09:15]
Rose you ran and you ran to the clothings door good
[09:15 - 09:22]
around she brought back the very very best and the soldier but.
[09:22 - 09:28]
Also there also they were married to the B.
[09:28 - 09:33]
How can I marry such a pretty little man when I got no clothes to put on. Oh
[09:33 - 09:37]
she ran and you ran to the clothing store.
[09:37 - 09:41]
Iran brought back the best and sold
[09:41 - 09:44]
them on.
[09:44 - 09:49]
Soldiers so they were married to the beat up by a man drum on
[09:49 - 09:54]
how can I marry such a pretty little man when I got to know I had to put on
[09:54 - 10:00]
the rent of the clothing store her own. She brought
[10:00 - 10:04]
back the very very best and soldier put it on. Now
[10:04 - 10:09]
soldiers over here were married by a bender.
[10:09 - 10:14]
How can I marry such a pretty little man when I got no gloves to put on
[10:14 - 10:20]
an injury to the clothing store I asked as she got around. She
[10:20 - 10:23]
brought back a very very best and a soldier.
[10:23 - 10:29]
Now sold or sold your way America to the beat of the
[10:29 - 10:34]
underarm. How can I marry such a pretty little man when I got no code to
[10:34 - 10:39]
put on. You ran away into the clothing store. Go
[10:39 - 10:44]
to run. He brought back the very best and soldier put it
[10:44 - 10:49]
on. Now soldier so it was good to be a biot
[10:49 - 10:54]
and run by our going to marry such a pretty little man when I got to know her to
[10:54 - 10:58]
but on well she ran and you ran to the clothing store.
[10:58 - 11:03]
Good run she brought back the very very best than the soldier but
[11:03 - 11:12]
now soldier also here William do that be enough.
[11:12 - 11:17]
How can I marry such a pretty little mess without a wife and baby at
[11:17 - 11:17]
home.
[11:17 - 11:26]
My favorite song from the post revolutionary days was this one brought over from England
[11:26 - 11:31]
last night.
[11:31 - 11:34]
My band as I
[11:34 - 11:40]
really love seemed to come
[11:40 - 11:44]
to mind.
[11:44 - 11:44]
She
[11:44 - 11:53]
tore her hair and I did watch
[11:53 - 12:00]
her they say that the love that men vote drives
[12:00 - 12:05]
off like them just as quick
[12:05 - 12:10]
as them and this is the way we sing it today all
[12:10 - 12:12]
over America.
[12:12 - 12:16]
When I was a bachelor I lived with my son. We were
[12:16 - 12:22]
three and the only thing that I did that was wrong
[12:22 - 12:24]
was to.
[12:24 - 12:33]
Who would her go in there and
[12:33 - 12:38]
in the summer and the only only thing
[12:38 - 12:43]
that was wrong was to keep her from the fog
[12:43 - 12:47]
one night.
[12:47 - 12:51]
She know the clothes by my side as I
[12:51 - 12:59]
threw her arms around my neck and then
[12:59 - 13:01]
began to
[13:01 - 13:06]
cry.
[13:06 - 13:09]
She tore her hair.
[13:09 - 13:13]
What good I saw on
[13:13 - 13:19]
long held her in my arm just to keep her
[13:19 - 13:23]
from the fog.
[13:23 - 13:26]
Again I am a bachelor I live with my son.
[13:26 - 13:31]
We were doing this through and
[13:31 - 13:35]
every single day I am not I look into his eyes. He
[13:35 - 13:36]
reminds me.
[13:36 - 13:44]
You reminding me I love the winter
[13:44 - 13:50]
and of the summer too and of the many many
[13:50 - 13:55]
times that I held her in my hour just to keep her from
[13:55 - 13:56]
Augie
[13:56 - 14:05]
That's it for this time and all along the road again my boy is all along
[14:05 - 14:10]
the road again and if the weather be a bear I'll call my hair and I'll walk the road
[14:10 - 14:11]
again.
[14:11 - 14:16]
And listen again next week when Barry told and a wandering ballad singer returns with
[14:16 - 14:21]
more songs and melons brazening was transcribed and was produced by the Radio TV
[14:21 - 14:25]
services of Washington State University. This is the NASB Radio
[14:25 - 14:26]
Network.
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