Introduction to Women's Studies in the Humanities-Spring 1994 Mary Sullivan State University of New York at Stony Brook E-mail: msulliva@ccvm.sunysb.edu Note: class met twice weekly for 80 minute sessions. Requirements: A two-part journal; "Responses" and "Samples." Each week respond to one of the readings {functioned more as a proof they had read than the critical responses I tried to encourage} and provide a "sample." The sample section of your journal is to work like a scrapbook; collect images of gender from headlines, magazines, media images, jokes you hear, incidents you observe or take part in. {this assignment was more successful. Students spontaneously referred to readings as they told anecdotes.} Two 5-8 page papers-the first a response to questions, the second a topic of your own choosing. One Oral presentation. TEXTS: Women's Voices: Visions and Perspectives. Robert Diyanni, Esther Schor and Pat Hoy. MacMillan; A xerox copypack, and Marge Piercy, Woman on the Edge of Time. RECOMMENDED AND ON RESERVE: Marilyn Frye, Politics of Reality and Audre Lorde, Sister/Outsider (*indicates an optional reading) Week 1 "What Does a Woman Need to Know," A. Rich; "No-Name Woman" M. Hong- Kingston; "Oppression" and "A Note on Anger," M. Frye. *"Understanding Sexism: A Call to Men," Peter Blood and Alan Tuttle. Watch "Still Killing Us Softly." Week 2 "Beauty and the Backlash" S. Faludi; "Beauty: When the Other Dancer is The Self," A. Walker; "Breast Cancer: Power vs. Prothesis," A. Lorde; *"Tools of Torture" Phyllis Rose; *A Woman's Beauty: Put Down or Power Source" Susan Sontag. Week 3 "Rape: The All-American Crime" S. Griffin; Rape a Bigger Danger than Feminists Know," C. Paglia; "On Sex and Violence," C. MacKinnon; "Violence Against Women" (from "Our Bodies,Ourselves); "If You Touched my Heart" Isabel Allende. Week 4 "Know Your Enemy," Robin Morgan; "Daddy," Sylvia Plath; "Sexism and God- Language," Rosemary RAdford Reuther; "Grandmother of the Sun," Paula Gunn Allen Week 5 "Origin of the Family," F. Engels (excerpt from M. Mahowald's anthology, Philosohy of Women); "The Traffic in Women," Gayle Rubin. Week 6 "Our MOther's Grief," Bonnie Thornton Dill. Week 7 "On Femininity," S. Freud; "Competition," Nancy Friday; "When Our Lips Speak together," L. Irigaray; "On Not Liking Sex" Nancy Mairs. Week 8 ""Compulsory Heterosexuality," A. Rich; "The Two," Gloria Naylor; "Scratching the Surface," A. Lorde. {this week two members of Stonewall Scholars presented a workshop on gay and lesbian identity-I highly recommend it Week 9 "Reflections on Race and Sex," Bell Hooks; Madonna video in class; * "How it Feels to be Colored Me," Zora Neale Hurston; "poets in the Kitchen, Paule Marshall. "How Men Have a Sex," John Stoltenberg; "The Uses of the Erotic," A. Lorde. Week 10 Marge Piercy, "Woman on the Edge of Time" Week 11 "The Second Sex-Intro," Beauvoir; "Gendering the Body, Beauvoir's Philosophic Contributions," Judith Butler. Week 12 "On the Generation of Animals," Aristotle; "Is Gender Necessary-Redux" Ursula LeGuin; "Myths of Gender-Intro," Anne Fausto Sterling; "A World of Difference," Evelyn Fox Keller. Week 13 Ch. 1, "A Room of One's Own," V. Woolf; "An American Childhood," Annie Dillard; "Why Have there been No Great Women Artists," Linda Nochlin Week 14 Selections from E. Cady Stanton; "Some reflections on Separatism and Power," M. Frye; "Getting It," Regina Barreca; "Our Barbies Ourselves," Emily Praeger; "If Men Could Menstruate," G. Steinem, "I Want a Wife," Judy Brady. P.S. The graduate program at Stony Brook features a WNS certificate, and I was a member of a stimulating interdisciplinary teaching practicuum. This was my first course and I know now I tried to do too much, incorporating many of my peers'suggestions. The oral presentations were a flop- any ideas on this might make a good topic on the list-serv. I did give very specific instructions on this. The Beauty and Violence topics are good openers-generating somewhat predictable papers which the students were excited about nonetheless. Piercy was excellent for the half who read the novel.