{"id":5104,"date":"2012-02-07T11:43:09","date_gmt":"2012-02-07T16:43:09","guid":{"rendered":"http:\/\/mith.umd.edu\/?p=5104"},"modified":"2020-10-08T16:02:33","modified_gmt":"2020-10-08T20:02:33","slug":"extremely-visible-and-incredibly-close-reading-of-logos","status":"publish","type":"post","link":"https:\/\/mith.umd.edu\/extremely-visible-and-incredibly-close-reading-of-logos\/","title":{"rendered":"Extremely Visible and Incredibly Close Reading of Logos"},"content":{"rendered":"<p>The <a title=\"Foreign Literatures in America\" href=\"http:\/\/mith.umd.edu\/research\/fla\/\">Foreign Literatures in America<\/a> (FLA) project\u2019s intellectual goals present a graphic design challenge marked by a delicate balance. We\u2019re creating an archive that will demonstrate how the idea of Americanness has been shaped by actors beyond those traditionally labelled \u201cAmerican\u201d; how do we create a logo and other graphic properties that reflect this focus on Americanness, without also presenting symbols of the United States (the U.S. flag, the shape of our portion of the continent, etc.) as visually\u2014and thus thematically\u2014dominant?<\/p>\n<p>We found design inspiration in images such as Edward Brewer\u2019s dark, estranging presentation of the Statue of Liberty on the front of a 1908 <em>Life<\/em> magazine, book covers like <a href=\"http:\/\/4.bp.blogspot.com\/-2x4HHwXetWY\/TZ5uW5FZ-jI\/AAAAAAAAEMo\/WPHAmpazAC4\/s1600\/Mar11j.jpg\" target=\"_blank\" rel=\"noopener noreferrer\">Kafka\u2019s <em>Amerika<\/em><\/a>, and the iconic photographs of <a href=\"http:\/\/2.bp.blogspot.com\/_ChjzKzpdNUo\/SKSqmYSOrxI\/AAAAAAAAAJA\/vmWGjo6KsN0\/s400\/marilynreadingulysses.jpg\" target=\"_blank\" rel=\"noopener noreferrer\">Marilyn Monroe reading <em>Ulysses<\/em><\/a>. We researched estranged geographies: maps estranging the usual world placing of the United States by moving it from its usual central position or erasing it, showing the U.S. inscribed by bits of foreign textuality (e.g. by a grid of foreign flags or book covers). We thought about the Statue of Liberty in terms of its global history (images of the Statue being built in France or on the boat to the United States) and possible estrangement (perspectives aimed from behind the Statue and away from the U.S., or dividing the wrought-metal grid of the original \u201cflame\u201d into cells filled by flags of foreign nations). We even imagined a counterpart to Robert Buss\u2019s &#8220;<a href=\"http:\/\/charlesdickenspage.com\/images\/dickens_dream_600.jpg\" target=\"_blank\" rel=\"noopener noreferrer\">Dickens Dreaming<\/a>&#8221; painting, with Uncle Sam or the Statue of Liberty dreaming of key figures from foreign literature (way too complex for a logo!).<\/p>\n<p><img class=\"size-full wp-image-12857 alignnone\" src=\"http:\/\/mith.umd.edu\/wp-content\/uploads\/2014\/02\/fla_landingimage.jpg\" alt=\"FLA\" width=\"610\" height=\"160\" srcset=\"https:\/\/mith.umd.edu\/wp-content\/uploads\/2014\/02\/fla_landingimage-300x79.jpg 300w, https:\/\/mith.umd.edu\/wp-content\/uploads\/2014\/02\/fla_landingimage.jpg 610w\" sizes=\"(max-width: 610px) 100vw, 610px\" \/><\/p>\n<p>Throughout our discussions of imagery representing our project, we struggled with ways to indicate focus without dominance, influence without appropriation. Imagery like the melting pot or Manifest-Destiny-era political cartoons, although demonstrating both planetarity and an American focus, was shot down because it carried obvious implications of an imperialist America dominating or improving the literatures of other countries. The current FLA image uses a global map with an only partially imagined America, but we\u2019ll probably transition to using images of circulation or communication (to use Peter\u2019s phrase, \u201ccapillary exchange\u201d) for our final logo; imagery involving bloodlines, trade routes, or circulation all speak to global routes passing through American culture. The difficulty with such images is to imply circular movement rather than an omnidirectional power emanating from or draining into the United States; a logo with the effect of a two-headed arrow would help us show a pluralized and opened United States, while at the same time demonstrating the cultural influences flowing in.<\/p>\n<p>A logo is admittedly a small thing, and only one item in a network of web design decisions that will frame how visitors interpret our project. At the same time, it\u2019s the single most visible representative of the goals of our project; we\u2019d be remiss if we didn\u2019t port our close reading skills into our digital humanities design work. Follow us <a href=\"http:\/\/www.twitter.com\/FLAProject\" target=\"_blank\" rel=\"noopener noreferrer\">@FLAProject<\/a> and <a href=\"http:\/\/www.twitter.com\/UMD_MITH\" target=\"_blank\" rel=\"noopener noreferrer\">@UMD_MITH<\/a> to hear when the FLA\u2019s official site is released and check out the results of our current design work!<\/p>\n<p><em>Amanda Visconti is MITH Webmaster and a Ph.D. student in the English Department at the University of Maryland; she serves as both a member of the FLA\u2019s founding executive editorial board and its digital liaison. Foreign Literatures in America is a project directed by MITH Faculty Fellow Peter Mallios. Read more about FLA in <a title=\"Beginnings\u2026\" href=\"http:\/\/mith.umd.edu\/beginnings-fla\/\">Dr. Mallios\u2019 recent blog post<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Foreign Literatures in America (FLA) project\u2019s intellectual goals present a graphic design challenge marked by a delicate balance. We\u2019re creating an archive that will [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[66],"tags":[120,122],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v15.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Extremely Visible and Incredibly Close Reading of Logos &ndash; Maryland Institute for Technology in the Humanities<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mith.umd.edu\/extremely-visible-and-incredibly-close-reading-of-logos\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Extremely Visible and Incredibly Close Reading of Logos &ndash; Maryland Institute for Technology in the Humanities\" \/>\n<meta property=\"og:description\" content=\"The Foreign Literatures in America (FLA) project\u2019s intellectual goals present a graphic design challenge marked by a delicate balance. 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