{"id":18990,"date":"2017-11-01T16:55:51","date_gmt":"2017-11-01T20:55:51","guid":{"rendered":"http:\/\/mith.umd.edu\/?p=18990"},"modified":"2020-10-08T15:59:24","modified_gmt":"2020-10-08T19:59:24","slug":"books-files-new-project-help-scholars-assess-digital-components-todays-bookmaking","status":"publish","type":"post","link":"https:\/\/mith.umd.edu\/books-files-new-project-help-scholars-assess-digital-components-todays-bookmaking\/","title":{"rendered":"Books.Files: New project to help scholars assess digital components of today\u2019s bookmaking"},"content":{"rendered":"

COLLEGE PARK, MD\u2014The Maryland Institute for Technology in the Humanities <\/strong>at the University of Maryland and the Book Industry Study Group<\/strong> are pleased to announce Books.Files<\/strong>, a new project funded by The<\/strong> Andrew W. Mellon Foundation<\/strong> to assess the potential for the archival collection and scholarly study of digital assets associated with today\u2019s trade publishing and bookmaking.<\/p>\n

<\/a>

Photo by brewbooks<\/a>.<\/p><\/div>\n

The fact is that nearly all printed books now begin\u2014and for many practical purposes end\u2014their lifecycles as digital files that are produced and managed by designers, editors, publishers, packagers, and printers. The printed book that we hold in our hands is just one of the outputs that can be derived from these digital assets, which are also used to produce ebooks and Web-ready texts. In particular, the role of Adobe InDesign and other software tools is not well understood outside of the industry. And yet, this is where the book stops being a manuscript and starts becoming<\/i> a book, by way of its transformation into a prescribed set of digital assets which in addition to the text may include stylesheets, fonts, metadata, images, and other design elements.<\/p>\n

Led by principal investigator Matthew Kirschenbaum<\/strong>, this project represents the first organized attempt to put ambassadors from the scholarly communities traditionally invested in safeguarding and studying the material history of bookmaking into contact and conversation with thought leaders and influencers from the contemporary publishing world. The centerpiece of the project will be a convening<\/strong> to bring those figures together in New York City in early 2018; \u00a0Kirschenbaum\u2019s efforts will also be supported by site visits<\/strong> to observe the bookmaking process as it unfolds across different settings, and interviews<\/strong> with industry experts. Findings for scholars, archivists, and publishers will be presented in a white paper<\/strong> made publicly available in late 2018.<\/p>\n

\u201cDigital technologies have forever altered publishing workflows,\u201d commented BISG executive director Brian O\u2019Leary<\/strong>. \u201cWe\u2019re looking forward to working with Professor Kirschenbaum to explore current practice and its impact on our ability to preserve content for future generations.\u201d \u201cThis project represents an exciting extension of MITH\u2019s long-standing interest in preserving born-digital culture,\u201d said Trevor Mu\u00f1oz<\/strong>, MITH interim director. \u201cWe\u2019re delighted to partner in this effort.\u201d Karla Nielsen<\/strong>, curator at Columbia University\u2019s Rare Book and Manuscript Library, added, \u201cFor a long time publishers’ archives weren’t collected systematically, but now scholars are very grateful for the more complete records of earlier firms that we have, such as those of Cambridge University Press. Research libraries are just beginning to collect born-digital materials produced by publishers and this initiative will help us to understand how to do that so that there is a record of this moment of profound media change.\u201d<\/p>\n

The Maryland Institute for Technology in the Humanities<\/strong> is a leading digital humanities center that pursues disciplinary innovation and institutional transformation through applied research, public programming, and educational opportunities. The Book Industry Study Group<\/strong> is the leading book trade association for standardized best practices, research and information, and events. Matthew Kirschenbaum<\/strong> is Professor of English at the University of Maryland, a past Guggenheim Fellow, and author most recently of Track Changes: A Literary History of Word Processing<\/i> (Harvard UP, 2016).<\/p>\n

Inquiries about Books.Files<\/strong> may be sent to Matthew Kirschenbaum<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

COLLEGE PARK, MD\u2014The Maryland Institute for Technology in the Humanities at the University of Maryland and the Book Industry Study Group are pleased to announce […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[65,77],"tags":[],"yoast_head":"\nBooks.Files: New project to help scholars assess digital components of today\u2019s bookmaking – Maryland Institute for Technology in the Humanities<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mith.umd.edu\/books-files-new-project-help-scholars-assess-digital-components-todays-bookmaking\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Books.Files: New project to help scholars assess 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