African American Studies – Maryland Institute for Technology in the Humanities https://mith.umd.edu Thu, 08 Oct 2020 19:59:49 +0000 en-US hourly 1 https://wordpress.org/?v=5.5.1 Walter Forsberg Digital Dialogue https://mith.umd.edu/dialogues/dd-fall-2017-walter-forsberg/ Tue, 31 Oct 2017 16:00:51 +0000 http://mith.umd.edu/?post_type=mith_dialogue&p=18878 Walter Forsberg, Media Archivist for the National Museum of African American History and Culture at the Smithsonian, will present an overview of the new museum’s audiovisual digitization programs and activities, in place since 2014. Forsberg will discuss how NMAAHC established digital file-management workflows, target specifications, equipment sourcing, and access platforms, alongside screenings of newly-digitized [...]

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Walter Forsberg, Media Archivist for the National Museum of African American History and Culture at the Smithsonian, will present an overview of the new museum’s audiovisual digitization programs and activities, in place since 2014. Forsberg will discuss how NMAAHC established digital file-management workflows, target specifications, equipment sourcing, and access platforms, alongside screenings of newly-digitized collections. He’ll showcase highlights from the museum’s “Great Migration Home Movie Digitization” public project, and announce details regarding the institution’s new Robert F. Smith Fund—a partnership program aimed at digitizing and sharing collections of African American cultural material held by other institutions.

See below for a Storify recap of this Digital Dialogue (now migrated to Sutori), including live tweets and select resources referenced by Forsberg during his talk.

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Sarah Florini Digital Dialogue https://mith.umd.edu/dialogues/dd-fall-2017-sarah-florini/ Tue, 03 Oct 2017 16:00:23 +0000 http://mith.umd.edu/?post_type=mith_dialogue&p=18899 Though publics are often conceived of as bounded by platform, users frequently deploy platforms in conjunction to create trans-platform digitally networked publics. The multi-media and trans-platform nature of such publics provide users with a range of affordances that allow them to oscillate the public between functioning as an enclave or as a counter-public. This [...]

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Though publics are often conceived of as bounded by platform, users frequently deploy platforms in conjunction to create trans-platform digitally networked publics. The multi-media and trans-platform nature of such publics provide users with a range of affordances that allow them to oscillate the public between functioning as an enclave or as a counter-public. This talk discusses a network of Black American content creators and social media users to explore how such oscillation, between enclave and counter-public, occurs as participants move between platforms in the network and exploit, or work around, the affordances each offers.

See below for a Storify recap of this Digital Dialogue, including live tweets and select resources referenced by Florini during her talk.

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André Brock Digital Dialogue https://mith.umd.edu/dialogues/dd-spring-2017-andre-brock/ Wed, 15 Feb 2017 06:30:00 +0000 http://mith.umd.edu/?post_type=mith_dialogue&p=18168 A heartrending recent development of digital practice is the dissemination on social networks of videos of state violence against Black men and women, such as the Facebook video of Philando Castile’s passing, or the YouTube video depicting the arrest and beating of Sandra Bland. In response, many Black folk have begun describing the effects [...]

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A heartrending recent development of digital practice is the dissemination on social networks of videos of state violence against Black men and women, such as the Facebook video of Philando Castile’s passing, or the YouTube video depicting the arrest and beating of Sandra Bland. In response, many Black folk have begun describing the effects these videos and shares have upon them, a phenomenon that can be understood as racial battle fatigue.

This presentation, in the mode of critical digital humanities, addresses how social and digital media mediates and manifests the ‘peculiar social environment’ of White racial ideology. One egregious example can be found in Lisa Nakamura’s 2013 essay describing how White racial ideology configures internet beliefs and discourses to portray racist digital practice as a “glitch.”

White racial ideology (“whiteness”) in online spaces is not always explicit, however. It takes many paths toward coercion and hegemony; I speculate here upon algorithmically-driven social media “feeds,” rather than individuals, enacting racist digital practice. This practice, which I argue for here as “weak tie racism,” becomes apparent in its engendering of the Black digital practice of reflexivity. This reflexivity, presented as cultural digital practice, is often expressed as spiritual, emotional, and physical engagement with online racism. Taken together, weak tie racism and Black online reflexivity can be understood as a dialectic of cultural digital practices that should be considered a norm, rather than a glitch.

See below for a Storify recap of this Digital Dialogue, including live tweets and select resources referenced by Brock during his talk.

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Kishonna Gray Digital Dialogue https://mith.umd.edu/dialogues/dd-spring-2017-kishonna-gray/ Mon, 30 Jan 2017 14:30:48 +0000 http://mith.umd.edu/?post_type=mith_dialogue&p=18150 As racial projects, video games legitimize white masculinity and hegemonic ideology through the ‘othering’ process. This is performed via pixelated minstrelsy by depicting Black and Brown bodies as objects to be destroyed and women as bodies to be dominated. The mediated story of Black characters is limited and situated within buffoonery (comedy) or crime [...]

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As racial projects, video games legitimize white masculinity and hegemonic ideology through the ‘othering’ process. This is performed via pixelated minstrelsy by depicting Black and Brown bodies as objects to be destroyed and women as bodies to be dominated. The mediated story of Black characters is limited and situated within buffoonery (comedy) or crime and gaming is not exempt. Media outlets have created essentialist notions about Blackness and what it means to have an ‘authentic’ Black experience. And because there are limited counter-narratives, this singular story only confirms hegemonic notions of what it means to be Black.

See below for a Storify recap of this Digital Dialogue, including live tweets and select resources referenced by Gray during her talk.

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Dana Williams and Kenton Rambsy Digital Dialogue https://mith.umd.edu/dialogues/dd-fall-2016-dana-williams-kenton-rambsy/ Wed, 09 Nov 2016 14:30:32 +0000 http://mith.umd.edu/?post_type=mith_dialogue&p=17799 Patterns in literary scholarship suggest that serious considerations of a literary period do not fully begin until at least a generation after its emergence. Accordingly, meaningful scholarship on African American literature since 1970 is only now beginning to slowly emerge. Scholars interested in this period face two significant challenges. First, the sheer volume of [...]

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Patterns in literary scholarship suggest that serious considerations of a literary period do not fully begin until at least a generation after its emergence. Accordingly, meaningful scholarship on African American literature since 1970 is only now beginning to slowly emerge. Scholars interested in this period face two significant challenges. First, the sheer volume of literature published after 1970 can be overwhelming, so identifying a specialty area around which to acquire deep expertise is at once critical and limiting. Second, since literary periods are themselves often nebulously constructed, developing literary histories for a contemporary period can quickly dissolve into competing contrivances, particularly if/when primary source material to document many of its ideals and common threads prove elusive.

Arguably, the clash of too much written material to claim mastery of and too little awareness of primary resources related to the desired specialty area has resulted in an unnecessary muting of key discourses that shaped this highly influential period. Digital Humanities practices, however, can help manage this challenge, thereby giving voice to these key discourses. Ultimately, Williams and Rambsy contend that data management (technology) can be an essential tool for constructing a substantive literary history with a texture reflective of the period’s ripe content and contexts. As a case in point, the presentation focuses specifically on those texts Toni Morrison brought into print as Senior Editor at Random House Publishing Company as the specialty area around which the presenters have significant expertise and for which a singularly unique literary history can be constructed.

See below for a Storify recap of this Digital Dialogue, including live tweets and select resources referenced by Williams and Rambsy during their talk.

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Jim Casey and Sarah Patterson Digital Dialogue https://mith.umd.edu/dialogues/dd-fall-2016-jim-casey-sarah-patterson/ Wed, 02 Nov 2016 13:30:47 +0000 http://mith.umd.edu/?post_type=mith_dialogue&p=17790 Staking a claim in collaborative models of digital archiving, exhibition and geo-spatial visualization, Sarah Patterson and Jim Casey will introduce questions, concepts and outcomes central to the Colored Conventions Project's online restoration of the Colored Conventions Movement, 1830-1900. Working with literature and data connected to this understudied phenomenon in Black political organizing, Patterson and [...]

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Staking a claim in collaborative models of digital archiving, exhibition and geo-spatial visualization, Sarah Patterson and Jim Casey will introduce questions, concepts and outcomes central to the Colored Conventions Project’s online restoration of the Colored Conventions Movement, 1830-1900. Working with literature and data connected to this understudied phenomenon in Black political organizing, Patterson and Casey will discuss the ways CCP’s interdisciplinary team produces narrative-centric exhibits and interactive visualizations for multiple learning communities. This presentation will especially chart CCP’s interest in tackling key questions on its journey to creating DH content for those interested in social justice pedagogies and collaborative knowledge production.

Questions of focus will include: How do we better grasp women’s instrumentality through mapping technologies that magnify their activities within historical spaces connected to the movement? How do social network analyses contribute to our understanding of Black convention leadership? In what ways do concepts of power and authority impact computing and technology-selection as the project emerges within a broader landscape of Black histo-digital studies? We seek to highlight DH praxis and pedagogies to enhance what scholarly and public audiences know about the debates, people, places and texts related to the seven-decades-long campaign for Black rights.

See below for a Storify recap of this Digital Dialogue, including live tweets and select resources referenced by Casey and Patterson during their talk.

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Ravon Ruffin Digital Dialogue https://mith.umd.edu/dialogues/dd-fall-2016-ravon-ruffin/ Wed, 19 Oct 2016 13:30:31 +0000 http://mith.umd.edu/?post_type=mith_dialogue&p=17793 Could a Spotify playlist be considered an archive? How do hashtags challenge our finding aids of certain communities? Social and digital media tools and platforms have increasingly been utilized to advance community-centered approaches to archives, collections, and interpretation. These methods decolonize the archival practice and assert the presence of marginalized communities. This challenge comes [...]

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Could a Spotify playlist be considered an archive? How do hashtags challenge our finding aids of certain communities? Social and digital media tools and platforms have increasingly been utilized to advance community-centered approaches to archives, collections, and interpretation. These methods decolonize the archival practice and assert the presence of marginalized communities. This challenge comes as critiques such as #archivessowhite and #museumsrespondtoferguson have been pushed by professionals of color from within the field. This talk is a theoretical and practical exploration of what I call ‘radical archives’ to expand the intersections of race, gender, ethnicity, and identity. How do we as GLAM (Galleries, Libraries, Archives and Museums) professionals, educators, and scholars learn from this engagement toward greater intersectionality in our interpretations? How do these radical archives bridge GLAM institutions? These social and digital media tools and platforms are utilized to interact with the archive that are not legible to the institution and confront perceptions of cultural fluency.

See below for a Storify recap of this Digital Dialogue, including live tweets and select resources referenced by Ruffin during her talk.

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Catherine Knight Steele Digital Dialogue https://mith.umd.edu/dialogues/dd-fall-2016-catherine-knight-steele/ Tue, 05 Jul 2016 13:30:51 +0000 http://mith.umd.edu/?post_type=mith_dialogue&p=17870 Online space often operates within an invisible white universe with blackness becoming apparent only insomuch as it is rendered deviant. In a post-Cosby and Obama era of perceived post-raciality, black people are left to exist purely within the “dominant social imagination as media constructed stars and fantasy figures.” Black characters in popular culture thrive [...]

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Online space often operates within an invisible white universe with blackness becoming apparent only insomuch as it is rendered deviant. In a post-Cosby and Obama era of perceived post-raciality, black people are left to exist purely within the “dominant social imagination as media constructed stars and fantasy figures.” Black characters in popular culture thrive only insomuch as they propel the post racial fantasies of white America. Radhika Mohanram argues that the black body is only black when out of its place, for within context it is but a body. She goes on to point out from Fanon, that the black (wo)man exists to provide perspective rather than to she herself have perspective. A critical analysis of the digital culture of black and white feminist thought in Jezebel and For Harriet provides a site to examine what happens when the subject, the black body, at least temporarily does not exist as an ‘other’ but is squarely within a context that allows it to be merely a body.

Within the blogosphere there are rules of invisible whiteness that pervade online interaction. Examining whiteness as embedded within the digital culture of a blog like Jezebel is done by combining material and discursive theories of whiteness focusing on how the codes of conduct privilege white discourse, culture and values. Toni Morrison describes the invisibility of whiteness as the fishbowl that contains both fish and water. While seemingly invisible, whiteness paradoxically “may be hyper-visible as either a preferred or a threatened status”. Whiteness is only made hyper-visible through its absence in the discourse about black character by black. Critical techno-cultural discourse analysis requires us to view technology as artifact, function and belief. Therefore, to better understand technologies as cultural objects we must parse through the beliefs as articulated by users and visible in the content they produce.  In a CTDA of two blogs, For Harriet and Jezebel produced for and by women that articulate a feminist agenda. For Harriet intentionally targets black women and centralizes black feminist thought while Jezebel, a feminist blog, implicitly promotes what Mariana Ortega deems ‘white feminism’. The default status of ‘white’ is removed for white feminists who must contend with becoming deviant within the normative universe created by black women in the blogosphere.

Kishonna Gray explains “embodiment is a process rather than a given, and in order to sustain this meaning, it must constantly and continually be articulated and performed.” Black women utilize online blogging platforms in celebration and critique separate from the dominant group. As Jessie Daniels explains, “the Internet offers a “safe space” and a way to not just survive, but also resist, repressive sex/gender regimes. Girls and self-identified women are engaging with Internet technologies in ways that enable them to transform their embodied selves, not escape embodiment.”

See below for a Storify recap of this Digital Dialogue, including links to resources and projects that Steele referenced during her talk.

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Kim Gallon Digital Dialogue https://mith.umd.edu/dialogues/dd-spring-2016-kim-gallon/ Thu, 18 Feb 2016 01:30:42 +0000 http://mith.umd.edu/?post_type=mith_dialogue&p=16588 In the recent past, black people have created and utilized a variety of digital spaces and media to reconfigure the terms and terrain of debates and discussions on what it means to be human. How do we as scholars, educators, librarians and archivists use specific cases and experiences to teach habits of critical thought and [...]

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In the recent past, black people have created and utilized a variety of digital spaces and media to reconfigure the terms and terrain of debates and discussions on what it means to be human. How do we as scholars, educators, librarians and archivists use specific cases and experiences to teach habits of critical thought and practice about the intersections between race and technology? This talk is at once a theoretical and practical reflection on an Africana/Black Studies-centered approach to the digital humanities in and outside the classroom. It, then, is a forum for considering the black digital humanities as the use of digital tools and platforms to teach and produce scholarship about the complex histories, societies, and cultures of people of African descent in the United States, Africa and the larger Diaspora. However, I hope to also think about the black digital humanities as concerned with how theories of race and blackness come to bear on and transform technological activity and processes, affording us opportunities to ask new and different questions about humanity.

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Introducing Documenting the Now https://mith.umd.edu/introducing-documenting-the-now/ Wed, 17 Feb 2016 03:13:41 +0000 http://mith.umd.edu/?p=17055 A few weeks ago MITH announced that it will be partnering with Washington University in St Louis (WUSTL) and the University of California at Riverside (UCR) on a new project called Documenting the Now. Documenting the Now is aimed at accomplishing two different, but deeply interrelated goals. The first is to develop an open source [...]

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A few weeks ago MITH announced that it will be partnering with Washington University in St Louis (WUSTL) and the University of California at Riverside (UCR) on a new project called Documenting the Now. Documenting the Now is aimed at accomplishing two different, but deeply interrelated goals. The first is to develop an open source Web application called DocNow that will allow researchers and archivists to easily collect, analyze and preserve Twitter messages and the Web resources they reference. The second is to cultivate a much needed conversation between scholars, archivists, journalists and human rights activists around the effective and ethical use of social media content. We are very grateful to the Andrew Mellon Foundation for its generous support that will allow us to pursue these goals over the next two years.

As you can imagine, realizing the second goal is really a prerequisite for achieving the first. We want the DocNow application to reflect the use cases and requirements that emerge from the conversation. But at the same time, in order to have a meaningful conversation we need to know what is possible when it comes to collecting, analyzing and preserving social media content. That’s why we will be doing both concurrently, starting with our hand picked board of advisors, and software development team … and you, if you are interested. We will use early prototyping on the DocNow application to drive the conversation, and inform its continued development. We’re just getting started but this blog post provides a brief look at how the project came to be, some initial ideas we have for directions to head in, and how you can get involved if you are interested.

Background

I say we are just getting started, but the seeds for Documenting the Now can be found back in 2014 at a meeting of the Society of American Archivists in Washington DC. Although separated in space, many of the conversations at the conference in DC centered on the ongoing protests over the killing of Michael Brown, an unarmed African American teenager, by white police officer Darren Wilson. News of the killing and ongoing protests spread initially in social media.. Even as traditional media began reporting on the story, their narrative was challenged, and reframed by the conversation in Twitter. While the democratizing role of social media is ideologically complex, Sarah Jackson and Brooke Foucault Welles have uncovered evidence that in Ferguson, Twitter allowed individual initiators to raise awareness about the events in the initial hours following the death of Michael Brown:

African-Americans, women, and young people, including several members of Michael Brown’s working-class, African-American community, were particularly influential and succeeded in defining the terms of debate despite their historical exclusion from the American public sphere. This highlights democratic potentials within the networked public sphere, particularly vis-à-vis the discursive labor of members of American counter publics willing to contribute collective knowledge and critiques to the process of making sense of community crisis.
Jackson & Welles, 2015, p. 412

The archivists in DC that week were particularly attuned to the importance of this documentation that was being unfurled into Twitter, and outwards onto the Web as photographs, video and audio—some of it being livestreamed to a global audience. Bergis Jules and myself took part in that conversation at SAA, and resolved to do what we could to collect the Twitter conversation as best we could, for researchers now and in the future.

Of course, just as the deaths of countless other people of color at the hands of police preceded Michael Brown they tragically continued over the next few months: Tamir Rice, Eric Harris, Walter Scott, Jonathan Ferrell, Sandra Bland, Samuel DuBose and Freddie Gray. The only difference this time was that the traditional media outlets began to pay more attention, as the Black Lives Matter movement started by Alicia Garza, Patrisse Cullors, and Opal Tometi in 2013, accelerated in towns and cities across the United States.

Bergis and I continued our data collection work over the past year. You can see a description of some of these datasets in this TimeMapper visualization. We also began to write about this process of data collection and analysis online at Medium in the On Archivy column. We were pleased to receive useful feedback and additional contributions from the Web archiving community.

Over this same period MITH participated in a series of BlackLivesMatter teach-ins at UMD. These workshops were aimed at helping students and faculty contextualize the events in Ferguson, and help make them it part of their study. As a result we began to get requests from researchers such as Ernesto Calvo in Political Science as well as Rashawn Ray and Melissa Brown in Sociology who wanted to use the data we had collected in their research. Bergis and I also began conversations with Meredith Evans at WUSTL to see if there was a way to collaborate with them on their Documenting Ferguson archive. We wanted to help WUSTL figure out how the pivotal material in social media could form part of their archive.

It was at this time that we realized the potential for the Documenting the Now project. While many tools existed for collecting Twitter data, none were particularly suited to the needs of archivists who need to not only collect, but also appraise the material referenced in this conversation: the text, images, audio and video that is out on the Web. We didn’t have an ethical framework for involving the content creators in this process. We needed meaningful and workable models that would allow archivists to engage with content creators, or the initiators that Jackson and Welles describe. How can we build collections that are useful for researchers studying events like those in Ferguson, while also respecting the rights of the content creators, and Twitter’s Terms of Service?

Social Media Archiving

Another important dimension to our work, is the relationship between the DocNow application we are building to other projects in the Web archiving space: specifically the Social Feed Manager from George Washington University and Rhizome’s WebRecorder project.

Bergis was instrumental in helping start the SFM project at GWU, so we have a vested interest in using or at least interoperating with it. SFM’s scope is simultaneously a bit broader and a bit narrower than DocNow’s. SFM is best thought of as an extensible framework for collecting data from multiple social media sites including Flickr, Weibo as well as Twitter. DocNow on the other hand is narrowly focused on Twitter, at least to start with. The reason for this is that DocNow is going to be an environment for viewing, selecting and curating content from Twitter. SFM has explicitly kept access, discovery and analysis of content out of scope. We plan to work closely with the SFM team to make sure that DocNow will interoperate with SFM at the data layer. One specific use case we will be looking at is functionality that would allow data collected with SFM to be imported into DocNow for analysis and curation.

Another area in which SFM and DocNow differ is in their approach to archiving the Web. In DocNow we are explicitly interested in using the social media stream as a lens for finding and evaluating Web content. This idea is not unique to DocNow: it has been explored by the British Library in their TwitterVane experiment, and is currently being investigated by the NSF funded EventsArchive project at Virginia Tech, as well as the iCrawl project at the L3S Research Center. While we certainly will be paying attention to these ongoing efforts we think our approach in DocNow is going to be substantially different because our primary use cases involve curation, and the appraisal of content, that directly considers the role of content creators.

DocNow’s need for Web archiving functionality is why we are extremely interested in using Rhizome’s WebRecorder project. WebRecorder provides an open source, curator oriented environment for collecting and archiving Web content. Unlike more traditional automated approaches to Web archiving it uses the attention of the curator to guide preservation, and the curator’s browser as an intrinsic part of the process. One specific way that we are hoping this collaboration will take shape is in the contextualization of Web content. As content is being collected from the Web can archivists and researchers apply notes about why the resource was collected, and potentially document interactions with the content’s creator? WebRecorder was funded by Mellon in the same cycle as Documenting the Now, so we have a very real incentive to align the two projects.

One final area of development for DocNow that hasn’t been mentioned yet is our approach to visualization and analysis. In order to allow curators and archivists to build collections of social media and Web content we will necessarily need to build views into the collected data. We can anticipate a set of views, or a dashboard of sorts that provides insight into the conversation and the Web content, as well as functionality to collect and annotate it. But we also know that we will not be able to fully anticipate all the needs of all research questions.

Of course this uncertainty is what makes research interesting: asking questions that have never been asked before. So we want to build DocNow so that it provides a workspace for more knowledgeable users to run their own analysis. We are particularly excited about the work coming out of the Web Archives for Historical Research Group at the University of Waterloo, who are using Jimmy Lin’s WarcBase and Apache Spark as a platform for analysis of Web archives. We are hoping that Web accessible workspaces like SparkNotebooks or Jupyter notebooks the are embedded in DocNow could provide a compelling environment for research use of the data collections. It is still early days, but if this seems like an interesting avenue to explore please get in touch. We are hiring part time developers and designers to help us out with the work.

Silences in the Archive

Central to our work in Documenting the Now is the humanist’s awareness that what we know of history is deeply tied to the traces that are created and remain in our archives to be accessed and analyzed by researchers. How is our knowledge today shaped by the silences that our archives contain? Trouillot’s notion of historical production lays bare this process, in which archives form such a crucial element:

Silences enter the process of historical production at four crucial moments: the moment of fact creation (the making of sources): the moment of fact assembly (the making of archives); the moment of fact retrieval (the making of narratives); and the moment of retrospective significance (the making of history in the final instance).

(Trouillot, 1997, p. 26)

We want Documenting the Now (the conversation and the application) to embody this process, by allowing this new cultural and historical material to be archived, so that narratives and history can be made of them. This isn’t a process that a single institution or organization can do alone. It is a shared responsibility that spans disciplines, professions and technical frameworks.

So, this is the challenge that we’ve signed up for. We are extremely fortunate to be joined by a distinguished board of 18 advisors from the fields African American studies, communication, journalism, digital libraries as well as practicing archivists, journalists and technologists. You can see a list of them below. You can also expect to hear more about our work as it develops here on the MITH blog, on our (currently minimalist) project website where you can also sign up for an occasional newsletter. If you are really interested in participating we will let you know about our regular community calls, where we will discuss recent developments and use cases you might have.

Our Advisory Board

In alphabetical order

Natalie Baur
Natalie Baur
Archivist
University of Miami

Meredith Clark
Meredith Clark
Assistant Professor of Journalism
University of North Texas

Tressie McMillan Cottom
Tressie McMillan Cottom
Assistant Professor of Sociology
Virginia Commonwealth University

brian-dietz
Brian Dietz
Digital Program Librarian
North Carolina Statue University

Jarret Drake
Jarrett Drake
Digital Archivist
Princeton University

Meredith Evans
Meredith Evans
Director
Jimmy Carter Presidential Library and Museum

Jonathan Fenderson
Jonathan Fenderson
Assistant Professor of African and American Studies
Washington University in St. Louis

Deen Freelon
Deen Freelon
Assistant Professor of Communication
American University

jessica-johnson
Jessica Johnson
Assistant Professor of History
Michigan State University

robin-katz
Robin Katz
Public Services Librarian
University of California at Riverside

david-kim
David Kim
Mellon Postdoctoral Fellow
Occidental College

Marc Anthony Neal poses for a portrait.
Mark Anthony Neal
Professor of African American Studies
Duke University

michael-nelson
Michael Nelson
Professor of Computer Science
Old Dominion University

Yvonne Ng
Yvonne Ng
Senior Archivist
WITNESS

matt-phillips
Matt Phillips
Lead Developer
Library Innovation Lab
Harvard University

Rashawn Ray
Rashawn Ray
Assistant Professor of Sociology
University of Maryland

nicholas-taylor
Nicholas Taylor
Web Archiving Service Manager
Stanford University

Dexter Thomas
Dexter Thomas
Writer
Los Angeles Times

Stacie Williams
Stacie Williams
Learning Lab Manager
University of Kentucky

Micah Zeller
Micah Zeller
Copyright and Digital Access Librarian
Washington University St Louis

References:

  • Jackson, S. J & Welles, B. F. (2015). #ferguson is everywhere: initiators in emerging counterpublic networks. Information, Communication & Society, 19, 3. Retrieved from http://www.tandfonline.com/doi/full/10.1080/1369118X.2015.1106571.
  • Trouillot, M. R. (1997). Silencing the past: power and the production of history. Boston, Massachusetts: Beacon Press.

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