- Series
- Chicago Contemporary Chamber Players
- Air Date
- 1967-02-20
- Duration
- 00:25:45
- Episode Description
- This program, the second of four parts, presents live performances of various contemporary classical compositions.
- Series Description
- This series presents concert performances from the Chicago Contemporary Chamber Players.
- Subject(s)
- Creator(s)
- University of Chicago (Producer)
- Contributors
- University of Chicago. Contemporary Chamber Players (Performing Group)
- Genre(s)
- Geographic Region(s)
- regions
- Time Period
- 1961-1970
[00:10 - 00:15]
The University of Chicago and the national educational radio network. Present
[00:15 - 00:20]
another concert by the contemporary Chamber Players of the University of Chicago.
[00:20 - 00:25]
The music directors. Are featured soloist for tonight's program
[00:25 - 00:30]
his baritone Charles Van Tassel who will perform with pianist James Kidd and
[00:30 - 00:33]
members of the contemporary Chamber Players of the University of Chicago.
[00:33 - 00:39]
Included on the program will be works by Dalla Piccola Shure and Baer P. Lombard
[00:39 - 00:44]
Brahms Handel Babbitt and I.
[00:44 - 00:49]
Charles Van Tassel was born in New York City in 1937 and got his
[00:49 - 00:54]
start in music at the high school for music and art where he studied trumpet French horn
[00:54 - 00:59]
and piano. He also studied voice with his father and later
[00:59 - 01:04]
continued his study of boys with Blake Stern at Yale where he took a Bachelor of Arts
[01:04 - 01:09]
degree in Chinese studies and philosophy. He came to Chicago
[01:09 - 01:14]
as an economist for the Amalgamated meat cutters. And his interest in music was revived
[01:14 - 01:18]
by the contemporary Chamber Players of the University of Chicago with whom he has now been
[01:18 - 01:23]
singing for two years. The first
[01:23 - 01:29]
work on tonight's program is friends of ours by Luigi Dalla Piccola.
[01:29 - 01:33]
Della Pickler who was born in Italy in 1904. Is
[01:33 - 01:38]
considered one of the few living major composers. And is the chief Italian
[01:38 - 01:43]
composer of 12 tone or serial music. He was profoundly
[01:43 - 01:48]
influenced by Weber's and although he met they've been only once he later said that he thought
[01:48 - 01:53]
it was one of the most significant experiences in his life. Friends of
[01:53 - 01:57]
ours which was written in 1946 for PIB Narcan Francis Pulok
[01:57 - 02:03]
represents a return for dollar to a more expressionistic style. After the
[02:03 - 02:08]
first impact of his meeting with a friend during World War Two in rents of
[02:08 - 02:13]
ours the 12 tone technique is used so as to incorporate traditional tonality.
[02:13 - 02:18]
The basic key of the work being G minor.
[02:18 - 02:25]
And now here are baritone Charles Hamm Tassell. And pianist James
[02:25 - 02:30]
Kidd. To perform rents of Rs3 fragments from the Song of the land
[02:30 - 02:32]
by Luigi Dalla Piccola.
[02:32 - 10:55]
You have just heard.
[10:55 - 10:59]
These three fragments from the song of real life by Luigi Dalla Pete
[10:59 - 11:06]
the baritone soloist plays Charles castle. Accompanied by James
[11:06 - 11:16]
Kidd on the piano.
[11:16 - 11:23]
Next on our program tonight we will hear two brief songs by Arnold Schoenberg.
[11:23 - 11:28]
The songs are zome of it and talked. Numbers One and
[11:28 - 11:33]
Two of the three songs in Schoenberg's Opus forty eight. The songs
[11:33 - 11:37]
are based on poems by Jaco abhorring. According to the
[11:37 - 11:41]
publisher Opus 48 was composed by Schoenberg in Berlin in
[11:41 - 11:46]
1933 and he goes on to say these were the
[11:46 - 11:51]
days of Hitler's rise to power. And they must have been dark days for sure and.
[11:51 - 11:57]
So dark indeed that the memory of having written these songs was completely obliterated from his mind.
[11:57 - 12:02]
Fortunately they were remembered by a few close friends. When Schoenberg's attention
[12:02 - 12:06]
was drawn to them he was highly surprised but also greatly pleased.
[12:06 - 12:13]
Following the show and barracks arms we will hear two songs by Stefan Balti. The
[12:13 - 12:18]
first is titled On a mural by Diego Rivera. And takes a text from a
[12:18 - 12:23]
translation of a poem by no oxter and. The second is David's
[12:23 - 12:27]
lament over Jonathan. In which Mr Van Tassel will sing the Hebrew text from the
[12:27 - 12:32]
Bible. Stefan Volpi was born in Berlin in
[12:32 - 12:37]
1902. And studied with was only they bring and share him.
[12:37 - 12:41]
He lived in Jerusalem between 935 in 1939 where he
[12:41 - 12:46]
composed his songs to Hebrew texts. Since 1939 Volpi has
[12:46 - 12:51]
lived in the United States where he has continued to explore the use of rhythmic
[12:51 - 12:56]
asymmetries as the basic vocabulary of his composition.
[12:56 - 13:01]
Among the young musicians who have studied composition with old PRL shady who is
[13:01 - 13:05]
the music director of the contemporary Chamber Players. And Leonard Meyer
[13:05 - 13:14]
chairman of the music department at the University of Chicago.
[13:14 - 13:19]
Now here once again are Charles home tassel baritone and James Kidd pianists to
[13:19 - 13:23]
perform first Zama hit and taught by Arnold Schoenberg.
[13:23 - 13:28]
A.
[13:28 - 15:24]
Oh.
[15:24 - 16:42]
You heard two songs and tote. From Opus 48
[16:42 - 16:44]
by Sharon there.
[16:44 - 16:48]
And in just one moment two songs by step on bowtie on a mural by Diego
[16:48 - 17:05]
Rivera and David's lament over Jonathan.
[17:05 - 17:09]
Luna like me
[17:09 - 17:16]
might be in.
[17:16 - 20:32]
Thank
[20:32 - 20:37]
you have just heard. Two songs by Stefan voice on a mural
[20:37 - 20:42]
by Diego Rivera. By no acts during the lyrics and David's lament
[20:42 - 20:47]
over Jonathan Hebrew text from the Bible the performer was
[20:47 - 20:54]
baritone Charles Van Tassel. Accompanied by James Kidd on the piano.
[20:54 - 20:59]
Immediately preceding the vote. There you heard two songs from Opus number forty eight by
[20:59 - 21:01]
Arnold Schoenberg.
[21:01 - 21:06]
The first was is all mute and the second was topped.
[21:06 - 21:13]
Next on tonight's program you will hear a work by Robert Lombard of.
[21:13 - 21:18]
Robert Lombardo was born in Hartford Connecticut in 1932 and
[21:18 - 21:23]
received his bachelor of music and master of music degrees in composition from the Harte
[21:23 - 21:28]
College of Music where he studied with an old friend Shetty. He received his
[21:28 - 21:32]
Ph.D. in composition from the State University of Iowa and is presently the
[21:32 - 21:37]
composer in residence at the Chicago Musical College of Roosevelt
[21:37 - 21:42]
University in Chicago. The work you were to hear tonight is
[21:42 - 21:46]
top. Taken from the Expressionist texts of August strat
[21:46 - 21:51]
the German poet telegraph operator of the First World War. Pop
[21:51 - 21:56]
was composed when Mr. Lombardo was studying at the hostel a few Musiq in Berlin in
[21:56 - 22:01]
1059. Because of their brevity. Mr Van
[22:01 - 22:05]
Tassel will sing these three songs twice.
[22:05 - 22:14]
Hear them is Charles Van Tassel baritone with pianist James Kidd to sing Robert
[22:14 - 22:16]
Lombardo's top looked
[22:16 - 22:21]
at.
[22:21 - 23:26]
Oh.
[23:26 - 23:48]
Oh.
[23:48 - 23:50]
My. God.
[23:50 - 24:38]
Well. Well.
[24:38 - 25:14]
Well.
🔍