H-NET BOOK REVIEW
Published by H-Women@h-net.msu.edu (July, 2000)
Susan Flagg Poole. Lost Legacy: Inspiring Women of
Nineteenth-Century America. West Chester, Penn: Chrysalis
Books, 1999. 114 pp. Appendix, notes, bibliography. $14.95
(paper), ISBN 0-87785-386-x.
Reviewed for H-Women by Cynthia Watkins Richardson,
cawr@umit.maine.edu, Department of History, University of
Maine
A Legacy Recovered
It can be difficult in our secular age to keep the spiritual
lives of women in the forefront of our minds when teaching
women's history. Susan Flagg Poole's Lost Legacy provides a
needed corrective to secular women's history, and offers
tantalizing biographical tidbits that motivate the reader to
learn more about the ten fascinating nineteenth-century women
whose lives are briefly summarized in this slender volume.
Although this book unabashedly promotes the Swedenborg
philosophy, the women's biographies remind us that the lives of
women in the nineteenth century were, after all, unabashedly
spiritual in dimension.
The women in this anthology are united not only in their
Swedenborg belief, but also in their social or educational
background. They were writers, musicians, artists or activists
who also taught school, raised children, and participated in
local and national reform movements. Their idealistic views and
strong beliefs that led them to make "an angelic heaven of the
human race" also led them, while being sustained by their faith,
to become leaders in their respective causes during an age when
being a leader and woman was a Herculean task (p.xvii). Each
brief biography is titled and is accompanied by a quote from
Emanuel Swedenborg.
The book is divided into two parts: Part One highlights public
figures who became members of the Swedenborgian Church or were
dedicated readers of Swedenborg: Lydia Maria Child, Harriot
Hunt, Anna Cora Ogden Mowatt, Sarah Orne Jewett, and Jessie
Willcox Smith.
The second part illuminates Swedenborgian concepts through the
words of women who are largely unknown today; yet they were
known within their communities and organizations in
nineteenth-century America (p. xx). Their words were recorded in
church journals (an underutilized source for historians) or
regional publications, and they all participated in the World's
Parliament of Religion, which was held in conjunction with the
1893 Chicago World's Fair. The purpose of the Parliament was to
hear the religious views of others from different denominations
across the country, as well as representatives from Eastern
religions. All were invited to present their unique perspectives
in a pluralistic atmosphere.
In part One, "On Her Own Path," the author comprehensively
mentions most of the voluminous work that Lydia Maria Child
(1802-1880) produced in the first biography of the anthology. At
the same time, the sustenance of Swedenborg faith is
contextualized as an important element that sustained Child
through her sometimes unpopular championing of causes.
The second biography, "Uniting Body, Mind and Spirit," describes
the life of Harriot Kezia Hunt (1805-1875), who understood that
sickness was not limited to a physical condition (pp. 15, 16).
As medical practitioner who eventually was awarded a Doctor of
Medicine degree from the Female Medical College of Philadelphia,
she was a champion of women's suffrage and the anti-slavery
movement. She earned a wide reputation for refusing to pay her
taxes without representation. She dedicated her life to the
health profession, and at the same time continued to promote
freedom for all people, regardless of their sex, color, or
class. She valued the life of the spirit and mind and was guided
by strong spiritual principles.
Anna Cora Mowatt Richie (1819-1870), an actress famous in
nineteenth-century America, is virtually unknown today, although
her comic play, "Fashion," was revived in New York in 1924 and
1959 and is still performed in college and local theaters.
Richie was a dramatic performer famous for her poetry readings
and spiritual beliefs. Although she suffered from tuberculosis,
she lived a dramatic public life until she died at 50 in
England.
Sarah Orne Jewett (1849-1909), well-known to historians and
literary scholars, was influenced by the Swedenborg pastor
Theophilus Parsons, a Harvard law professor. Poole describes the
Swedenborg influence and the important mentor role that Parson
assumed in Jewett's life, and highlights some of Jewett's
literary characters that exemplify tenets of the Swedenborg
beliefs.
Part Two, "In Her Own Words," describes the lives of women who
have largely remained unknown to women's history scholars, yet
their public lives were unusual for their times. Lydia Fuller
Dickenson (1828-1904), educator and essayist, was active in the
women's movement and the Fourierist social movement, and she
advanced the cause for personal, social and political freedom in
many of essays and articles.
Ednah Silver (1838-1928) was an educator, writer, and the
daughter of the Rev. Abiel Silver, a Swedenborgian minister. She
addressed the World's Parliament of Religions in 1893, and
presented a paper to the congress (women were invited to speak
at this event). Mary Artemesia Lathbury (1841-1913) was a
lyricist and poet laureate of Chatauqua, New York. When she was
twelve she was told in a vision to write from her heart. This
vision was to guide her throughout her life as she developed
into a serious artist and writer who received training at the
School of Design in Worcester, Massachusetts and later taught at
the New York Chatauqua Institution. There she developed her
talents as a musician and lyricist and wrote many hymns which
are still sung today.
Selma Ware Paine (1847-1917) was a published writer and musician
from Bangor, Maine who addressed the World's Parliament of
Religion with an essay entitled "The Womanly Nature," which
emphasized the importance of a woman's following her own path,
regardless of the strictures of society. This idea was nurtured
by her faith in Swedenborg principles, which stressed the
concept of usefulness and the theory of the masculine and
feminine nature; that a man or woman must follow one's own path
in life or risk the consequences of going against one's own
nature.
Ellen Spencer Mussey (1850-1936) was an attorney and social
reformer from Geneva, Ohio who was well known in Washington, DC
political circles as well a delegate to represent the
Swedenborgian Church. Her speech illustrated the Swedenborg's
concept of uses, emphasizing the importance of women's active
participation in social causes.
An appendix following Part Two of the book lists 22 women who
were Swedenborgian or were influenced by Swedenborg and includes
a brief statement of their accomplishments. This list reads as
a veritable Who's Who of nineteenth-century women, thereby
highlighting the importance of faith in the lives of these
women. The bibliography lists includes titles of biographies of
all the women mentioned in the book, and provides resources for
the interested reader.
Because of its blatant Swedenborgian promotion, this book may
not appeal to all readers; however, including it in a syllabus
for introductory women's studies courses would answer the need
for an anthology of brief biographical sketches of
nineteenth-century women. At the same time, it would serve to
remind historians and their students of the importance of
spiritual life for nineteenth-century American women. The women
described here were in fact of strong Swedenborg faith, and this
teaching and its importance in the history of women should not
go unnoticed. Lost Legacy serves as a needed corrective to the
highly secular nineteenth-century women's history that is widely
circulated today, and it may even remind us to nurture our own
frail spiritual capacities, even as we expand our intellects and
physical strength.
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